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Vinyl: ALP 1548 ALP 1549 ROSALYN TURECK 'GOLDBERG VARIATIONS' HMV 1958 UK SET OF 2
Johann Sebastian Bach / Rosalyn Tureck
J.S. Bach : Goldberg Variations
(Record 1)
Tracklist
| A1 | Aria | 4:46 |
| A2 | Var. 1 A 1 Clavier | 2:16 |
| A3 | Var. 2 A 1 Clavier | 1:59 |
| A4 | Var. 3 A 1 Clavier--Canone All'Unisono | 2:14 |
| A5 | Var. 4 A 1 Clavier | 1:16 |
| A6 | Var. 5 A 1 Ovvero 2 Clavier | 1:51 |
| A7 | Var. 6 A 1 Clavier--Canone Alla Seconda | 1:53 |
| A8 | Var. 7 A 1 Ovvero 2 Clavier | 1:59 |
| B1 | Var. 8 A 2 Clavier | 2:01 |
| B2 | Var. 9 A 1 Clavier--Canone Alla Terza | 2:04 |
| B3 | Var. 10 A 1 Clavier--Fughetta | 1:58 |
| B4 | Var. 11 A 2 Clavier | 2:31 |
| B5 | Var. 12 A 1 Clavier--Canone Alla Quarta | 1:48 |
| B6 | Var. 13 A 2 Clavier | 3:27 |
| B7 | Var. 14 A 2 Clavier | 2:15 |
| B8 | Var. 15 A 1 Clavier--Canone Alla Quinta | 2:23 |
Credits
- Composed By – Johann Sebastian Bach
- Piano – Rosalyn Tureck
Notes
This is the first LP in a two record set with Tureck's 1958 recordings
of Bach's Goldberg Variations.
The LP's came as two separate entities with their own catalogue-numbers.
Johann Sebastian Bach / Rosalyn Tureck
J. S. Bach: Goldberg Variations
(Record 2)
Tracklist
| C1 | Var. 16 A 1 Clavier--Ouverture And Fughetta | 2:55 |
| C2 | Var. 17 A 2 Clavier | 2:04 |
| C3 | Var. 18 A 1 Clavier--Canone Alla Sesta | 1:31 |
| C4 | Var. 19 A 1 Clavier | 1:16 |
| C5 | Var. 20 A 2 Clavier | 2:14 |
| C6 | Var. 21 A 1 Clavier--Canone Alla Settima | 2:42 |
| C7 | Var. 22 A 1 Clavier | 1:44 |
| C8 | Var. 23 A 2 Clavier | 2:29 |
| C9 | Var. 24 A 1 Clavier--Canone All'Ottava | 3:23 |
| D1 | Var. 25 A 2 Clavier | 4:11 |
| D2 | Var. 26 A 2 Clavier | 2:31 |
| D3 | Var. 27 A 1 Clavier--Canone Alla Nona | 2:13 |
| D4 | Var. 28 A 2 Clavier | 2:34 |
| D5 | Var. 29 A 1 Ovvero 2 Clavier | 1:49 |
| D6 | Var. 30 A 1 Clavier--Quodlibet | 1:47 |
| D7 | Aria Da Capo | 2:57 |
Credits
- Composed By – Johann Sebastian Bach
- Piano – Rosalyn Tureck
Notes
This is the second LP in a two record set with Tureck's 1958 recordings
of Bach's Goldberg Variations
The LP's came as two separate entities with their own catalogue-numbers.
Matrix Numbers
Side 1: 2XEA 1315-5N
Side 2: 2XEA 1316-2N
Side 3: 2XEA 1317-1N
Side 4: 2XEA 1318-8N
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
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Condition:
* * * please see end of listing
for grading system definitions
before ordering * * *
Covers:- EXCELLENT
FULLY LAMINATED SINGLE SLEEVES
WITH HALF-MOON FLIP-BACKS
Vinyls:- EXCELLENT +
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The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
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U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD ** £15.50
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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
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My records are described according to The Record Collector's grading system.
This was originated by The Record Collector to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.